Illustrations and Drawings

Charcoal on paper, 24 × 18 inches. This drawing depicts a seated figure turned inward, her arms folding across her body in a gesture that feels both protective and self-contained. Strong linear marks and softened shadows work together to articulate
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Pastel, charcoal, and pencil on paper, 24 × 18 inches. This drawing focuses on the emotional and structural possibilities of the human form through intersecting contours and chromatic shifts, merging line, color, and anatomy into a single rhythmic
Charcoal on paper, 24 × 18 inches. This drawing presents a group of attenuated figures dispersed across a shallow body of water, their forms softened by reflection and atmospheric light. The figures appear to hover between solid presence and dissolut
Charcoal on paper, 24 × 18 inches. This drawing presents a folded human form seated in shallow water, reducing the body to its essential curves and shadows. With the head and limbs obscured, the figure is defined by weight, contour, and the quiet
Charcoal on paper, 24 × 18 inches. This drawing exaggerates the form of a runner’s leg, stretching and amplifying the musculature beyond natural proportion to convey the intensity and strain of endurance. The elongated contours and heightened shado
Chalk pastel on paper, 24 × 36. A single leg slips out from a sweep of white cloth, hovering over a field that reads as both water and sky. The figure appears mid-drift, neither anchored nor airborne, held at the threshold between elements. Liminal
Charcoal and pastel pencil on paper, 36 × 24 inches. This drawing studies the structure and rhythm of the human form through a close focus on seven feet in motion. By presenting an odd number of feet rather than full figures, the composition intro
12x8, Graphite on paper. Drawing of a friend.